Odilon redon drawings


Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils , pen and ink , inked brushes , wax colored pencils , crayons , charcoal , chalk , pastels , various kinds of erasers , markers , styluses , various metals (such as silverpoint ) and electronic drawing.

A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper , although other materials, such as cardboard , plastic, leather , canvas , and board , may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas. [1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

In addition to its more artistic forms, drawing is frequently used in commercial illustration , animation , architecture , engineering and technical drawing . A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch . An artist who practices or works in technical drawing may be called a drafter , draftsman or a draughtsman . [2]

There are several categories of drawing, including figure drawing , cartooning , doodling , free hand and shading . There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper , around the outline of preexisting shapes that show through the paper).

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication. [5] It is believed that drawing was used as a specialised form of communication before the invention of the written language, [5] [6] demonstrated by the production of cave and rock paintings around 30,000 years ago ( Art of the Upper Paleolithic ). [7] These drawings, known as pictograms, depicted objects and abstract concepts. [8] The sketches and paintings produced by Neolithic times were eventually stylised and simplified in to symbol systems ( proto-writing ) and eventually into early writing systems .

My job as research assistant to Marcia Reed, chief curator at the Getty Research Institute, and Louis Marchesano, curator of prints & drawings, might be described as “research becomes eclectic.” In addition to investigating a wide array of potential acquisitions across the period of A.D. 1500 to the present, I’ve spent much of the past eight months researching the diverse prints now on view in The Getty Research Institute: Recent Print Acquisitions (through September 2). I’ve always struggled to pick a “favorite” historical period or artist, and honestly this job only makes that more difficult!

Inevitably, however, there are particular artists whose work I find especially appealing. I have recently become immersed in the graphic work of Odilon Redon (French, 1840–1916) thanks to working on an additional display featuring his prints in the West Pavilion of the J. Paul Getty Museum, which went up at the same time as the GRI print show.

It seems that every modern period and place produces an auteur whose visions veer toward the realms of the strange, the dreamily dark, and the surreal. During the first half of his career Redon filled this role, gaining acclaim for creating bizarre and haunting visuals based on literature and his own imaginary scenarios. Flaming eyeballs float before a mountain range; fishlike creatures sport huge human heads and tiny hands; a giant man pauses outside a window while two small figures gesture towards him. Redon made these visions concrete via the lithograph, exploiting that medium’s ability to achieve dramatically contrasting blacks and whites.

But then, in a gradual and eventually definitive shift, Redon seems to have truly embraced the belle in Belle Epoque. Around 1890, he began producing fewer black and white lithographs ( belles in their own ways, of course) in favor of lighter, more woozily ethereal and Edenic imagery rendered in luminous, deep colors, as demonstrated beautifully by a pastel and pencil drawing in the collection of the Getty Museum.

Redon’s colorful work retains a certain odd dreaminess, but more in the sense of a fantastic daydream than an otherworldly nightmare. With recent acquisitions of Redon prints by the GRI, visitors to the Getty can now glimpse both sides of Redon: the dark and the light.

Redon experimented obsessively with the tonal extremes of the lithograph, seemingly in the hopes of articulating—via literal lights and darks—the range and particularly the extremes of psychological experience. Unlike woodcuts or intaglio prints such as etching and engraving, lithography is a planar medium in which the artist doesn’t have to incise a metal plate or cut into a plank of wood. The method is much closer to drawing, in that the artist works with a greasy crayonlike tool on a flat surface (most often a stone, hence the “litho”). In this way the artist determines which parts of the stone the equally greasy ink will cling to, and can then make multiple impressions from one design.

The young Bertrand-Jean Redon acquired the nickname " Odilon " from his ... The story featured a decadent aristocrat who collected Redon 's drawings ... Odilon Redon ...

01.02.2018  · Odilon Redon , Bertrand Redon , Odilon Bertrand-Jean Redon , o. redon , Redon , Redon O. Ulan 500007292 ... Gifted: Collectors and Drawings at …

Choose your favorite odilon redon drawings from millions of available designs. All odilon redon drawings ship within 48 hours and include a …

If you would like to reproduce an image of a work of art in MoMA's collection, or an image of a MoMA publication or archival material (including installation views ...

03.08.2011  · A Technical Investigation of Odilon Redon 's ... Redon often lamented that his drawings sat in cartons for decades and it is ... Figure …

Odilon Redon 's imagination and his almost fantastical images, in particular those of the noirs, disconcerted many of his contemporaries. However, in the margin of a ...

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils , pen and ink , inked brushes , wax colored pencils , crayons , charcoal , chalk , pastels , various kinds of erasers , markers , styluses , various metals (such as silverpoint ) and electronic drawing.

A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper , although other materials, such as cardboard , plastic, leather , canvas , and board , may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas. [1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

In addition to its more artistic forms, drawing is frequently used in commercial illustration , animation , architecture , engineering and technical drawing . A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch . An artist who practices or works in technical drawing may be called a drafter , draftsman or a draughtsman . [2]

There are several categories of drawing, including figure drawing , cartooning , doodling , free hand and shading . There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper , around the outline of preexisting shapes that show through the paper).

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication. [5] It is believed that drawing was used as a specialised form of communication before the invention of the written language, [5] [6] demonstrated by the production of cave and rock paintings around 30,000 years ago ( Art of the Upper Paleolithic ). [7] These drawings, known as pictograms, depicted objects and abstract concepts. [8] The sketches and paintings produced by Neolithic times were eventually stylised and simplified in to symbol systems ( proto-writing ) and eventually into early writing systems .

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils , pen and ink , inked brushes , wax colored pencils , crayons , charcoal , chalk , pastels , various kinds of erasers , markers , styluses , various metals (such as silverpoint ) and electronic drawing.

A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper , although other materials, such as cardboard , plastic, leather , canvas , and board , may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas. [1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

In addition to its more artistic forms, drawing is frequently used in commercial illustration , animation , architecture , engineering and technical drawing . A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch . An artist who practices or works in technical drawing may be called a drafter , draftsman or a draughtsman . [2]

There are several categories of drawing, including figure drawing , cartooning , doodling , free hand and shading . There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper , around the outline of preexisting shapes that show through the paper).

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication. [5] It is believed that drawing was used as a specialised form of communication before the invention of the written language, [5] [6] demonstrated by the production of cave and rock paintings around 30,000 years ago ( Art of the Upper Paleolithic ). [7] These drawings, known as pictograms, depicted objects and abstract concepts. [8] The sketches and paintings produced by Neolithic times were eventually stylised and simplified in to symbol systems ( proto-writing ) and eventually into early writing systems .

My job as research assistant to Marcia Reed, chief curator at the Getty Research Institute, and Louis Marchesano, curator of prints & drawings, might be described as “research becomes eclectic.” In addition to investigating a wide array of potential acquisitions across the period of A.D. 1500 to the present, I’ve spent much of the past eight months researching the diverse prints now on view in The Getty Research Institute: Recent Print Acquisitions (through September 2). I’ve always struggled to pick a “favorite” historical period or artist, and honestly this job only makes that more difficult!

Inevitably, however, there are particular artists whose work I find especially appealing. I have recently become immersed in the graphic work of Odilon Redon (French, 1840–1916) thanks to working on an additional display featuring his prints in the West Pavilion of the J. Paul Getty Museum, which went up at the same time as the GRI print show.

It seems that every modern period and place produces an auteur whose visions veer toward the realms of the strange, the dreamily dark, and the surreal. During the first half of his career Redon filled this role, gaining acclaim for creating bizarre and haunting visuals based on literature and his own imaginary scenarios. Flaming eyeballs float before a mountain range; fishlike creatures sport huge human heads and tiny hands; a giant man pauses outside a window while two small figures gesture towards him. Redon made these visions concrete via the lithograph, exploiting that medium’s ability to achieve dramatically contrasting blacks and whites.

But then, in a gradual and eventually definitive shift, Redon seems to have truly embraced the belle in Belle Epoque. Around 1890, he began producing fewer black and white lithographs ( belles in their own ways, of course) in favor of lighter, more woozily ethereal and Edenic imagery rendered in luminous, deep colors, as demonstrated beautifully by a pastel and pencil drawing in the collection of the Getty Museum.

Redon’s colorful work retains a certain odd dreaminess, but more in the sense of a fantastic daydream than an otherworldly nightmare. With recent acquisitions of Redon prints by the GRI, visitors to the Getty can now glimpse both sides of Redon: the dark and the light.

Redon experimented obsessively with the tonal extremes of the lithograph, seemingly in the hopes of articulating—via literal lights and darks—the range and particularly the extremes of psychological experience. Unlike woodcuts or intaglio prints such as etching and engraving, lithography is a planar medium in which the artist doesn’t have to incise a metal plate or cut into a plank of wood. The method is much closer to drawing, in that the artist works with a greasy crayonlike tool on a flat surface (most often a stone, hence the “litho”). In this way the artist determines which parts of the stone the equally greasy ink will cling to, and can then make multiple impressions from one design.


Odilon Redon – Kiama Art Gallery

Odilon Redon | Eve s art

    Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils , pen and ink , inked brushes , wax colored pencils , crayons ,
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